Lead Poisoning essays

Lead Poisoning essays Lead poisoning has affected many children throughout the years. Throughout the United States there are thousands of kids that go to the hospital for lead poisoning. They get it from the paint on the houses that contain lead. About 40% of the houses that still contain lead. Therefore, paint companies were aware of all the lead in their paint and they do not do anything about it. There are many problems that lead causes, paint companies knew the damage they were making, and they should pay for all the problems that they have done. Now children are suffering the consequences of this lead poisoning. Lead poison has affected many children throughout the years. For instance, in Getting the Lead Out a 7 year old boy name Sammy weighs 37 pounds just 11 more pounds that his 3 year old brother. Sammy got this from a house that his parents had bought that contains paint with lead. Sammy was just a little kid when they moved in there, so he was crawling around and tasting anything he could, which made him how he is today. Kids that consume lead have chronic constipation, seizures, and coma. Children die every year from lead poisoning. Everything that can be done to stop this should be done. Parents should not have to worry about their little kids dying or getting many disorders from eating paint chips. Paint companies were aware of the lead in their paint since they started making it. Therefore they knew about all the hazards that it give children. Though childhood lead poisoning has decreased since the 1970 there is still about 40 percent of the homes that still contain lead. Also the paint companies advertised for the kids. They had commercials with bright colors so they would get their parents to buy it for them. Therefore because of the advertisement to the children they should have to pay. Paint companies have known of their dangers for a long time. They advertise it to little kids, which is ver...

Language Arts Definitions and Examples

Language Arts Definitions and Examples The language arts are subjects taught in elementary and secondary schools that aim at developing students communication skills. As defined by the International Reading Association (IRS) and the National Council of Teachers of English (NCTE), these subjects include reading, writing, listening, speaking, viewing, and visually representing. Observations [In the 1950s in the U.S.] the term language arts rose to professional popularity among elementary school teachers . . ., since it suggested the integration of skills and experiences; English, the term still used in the high school, suggested subject matter, and often, subject matter taught in isolation. Todays concern with whole language and integration of reading and writing dates back to such curriculum efforts. . . .[T]he conflict between whole language advocates who stress construction of meaning and skill-oriented specialists who stress decoding continues. Almost certainly the current movement will result in more balanced stress on literature, writing, and oral language, and less emphasis on separate instruction in language skills, spelling, or grammar (Snow, 1997).(James R. Squire, The History of the Profession. Handbook of Research on Teaching the English Language Arts, Routledge, 2003) One familiar way to link the language arts . . . is to pair them by medium: reading and writing involve written language, listening and speaking involve spoken communication, and viewing and visually representing involve visual language.There are many other important interconnections among the English language arts, as well. Learners’ repertoires of words, images, and concepts grow as they read, listen, and view; new words, images, and concepts then become part of their written, spoken, and visual language systems.(Standards for the English Language Arts, IRA/NCTE, 1996)

Extreme Mental and Financial Stress Research Paper

Extreme Mental and Financial Stress - Research Paper Example Attitude towards spending money also depends on the nature of a person. Romantic and beauty conscious people spend a large part of their money on dating, buying expensive cosmetics, and giving expensive gifts to their loved ones. Some people who are interested in the latest technologies spend their money on buying new laptops, the latest cameras, and other technological products. Some people also spend their money on charity and human welfare purposes. There are different people having a different attitude towards spending money. Some of the categories of people include people who think money is money, people who think money is everything, and Scrooge. Let us discuss all of these categories. There are some people who think that money is everything. They believe that they can buy everything with their money. Those people live a high standard of living and spend a lot of money in order to retain their status in society. Such people’s attitude is not towards saving money for futu re rather they focus on the present status of their lives. Those people, who think the money that money is everything, spend their money to fulfil various luxurious desires. Some of the desires of such people include buying a beautiful house, getting high standard education from the world’s top universities, buying latest cars, spending holidays in San Diego or Honolulu, and many other desires. Use of money has no limits rather it depends on the nature of the person who holds the money. It is also a common fact that the desires of a person increase with an increase in the resources and decrease with a decrease in the available resources. Attitude towards spending money also depends on the social status of the people.

Creative Problem Solving Essay Example | Topics and Well Written Essays - 500 words

Creative Problem Solving - Essay Example They are much more creative and would solve issues on their own. Category B of employees involves the individuals who face challenges and fairly offer solutions to these challenges. They always involve their fellow employees who they perceive could be having more experiences and expertise than them in finding solutions to their issues. They are less independent and rely on external solutions to some extent. Category C and D employees are hardly different exhibit almost similar characteristics as far as provision of solutions to their challenges. They have a habit of avoiding the challenges altogether. They would rather not face the challenges; instead they leave them to other stakeholders in the system. ____10_____ C. Assume other challenges and pretend as though nothing wrong has occurred in the system. They tend to be less concern and seem to expect others to be responsible in solving the challenges. The results indicate that half of all the employees have the capacity to face the challenges and provide solutions on their own. Thirty percent face the issues that come before them but would rather engage other individuals in the solving of these problems. Twenty percent of these individuals would either assume the challenges or avoid them completely. The paper under study is ‘conceptualizing assessment for employee performance in terms of problem solution’ and what the strategic managers think about this trend. In the recent past, there has been an increased number of strategic managers that have relied on this assessment style as a creative way to evaluating a larger number of employees as compared to the old style of evaluation. An analytical study conducted reveals that the growth of creative management practices has been captivated by the adoption of other systems of management. Creative skills can be improved through the training to expand the ways of categorizing the various events and

Platos 4 Virtues Essay Example for Free

Platos 4 Virtues Essay In the Republic, Plato sets up a framework to help us establish what the four virtues are, and their relationship between them to both the city and the soul. According to Plato, the four virtues are wisdom, courage, moderation, and justice. There are three classes within the city: guardians, auxiliaries, and artisans; and three parts within the soul include intellect, high-spirited, and appetitive. By understanding the different classes of the city or parts of the soul, one will be able to appreciate how the virtues attribute to each one specifically. Book II of the Republic opens with Plato’s two brothers, both who want to know which is the better life to live: the just or the unjust. First, Socrates wants to know, â€Å"what justice and injustice are and what power each itself has when it’s by itself in the soul† (Cahn 130). One needs to understand what the soul is before one can talk about virtue because the relationship between the soul and virtue is excellence. This sets up the foundation that the structure of the soul and the city are similar in relation to the four virtues. In order for Socrates to accomplish this, he needs to examine the larger one first, the city, representing the ontological. Then, he is going to examine the smaller one, the soul, representing the epistemological. The establishment of each of these will display how the two mirror off one another, allowing the relationship between the city and the soul to become visible. Plato sets out the depiction that the city comes into being because not everyone is self-sufficient, but rather everyone needs different things in order to survive. Each person in the city is going to have one specific function to perform, which establishes the proper order of a just city contains three different classes: the guardians, the auxiliaries, and the artisans. In having established this ideal city, one can determine that it is completely good, therefore, it should be seen as wise, courageous, moderate, and just. Each one of the classes established in the city relates to a particular virtue. For the guardian class, â€Å"a whole city established according to nature would be wise because of the smallest class and part in it, namely, the governing or ruling one. And to this class, which seems to be by nature the smallest, belongs a share of the knowledge that alone among all the other kinds of knowledge is to be called wisdom† (Cahn 144). The intellect the guardians possess, allows the city to have good judgment and be considered wise by the people, since so few have this ability. This helps them pass legislation allowing all of the other classes to be in harmony with one another bringing the city to a state of unity. For the auxiliary class, â€Å"the city is courageous, then, because of a part of itself that has the power to preserve through everything its belief about what things are to be feared† (Cahn 144). The auxiliaries demonstrate this kind of preservation about what is to be feared and what is not to be feared and under no circumstances do they abandon their beliefs because of pains, pleasures, desires, or fears. As they fear the destruction of the city and anything that will bring it about, â€Å"this power to preserve through everything the correct and law-inculcated belief about what is to be feared and what isn’t is what I call courage† (Cahn 145). Their determination to remain dedicated to being courageous will lead to justice within the city. For the artisan class, â€Å"moderation spreads throughout the whole. It makes the weakest, the strongest, and those in between†¦all sing the same song together. And this unanimity, this agreement between the naturally worse and the naturally better as to which of the two is to rule both in the city and in each one, is rightly called moderation† (Cahn 146). By willingly accepting the dictates of the guardians by not objecting the legislation they pass, they are putting the city in a state of harmony. It can clearly be seen that only when each class is properly performing its particular role within the city, will justice be able to prevail. For Plato, â€Å"Justice, I think, is exactly what we said must be established throughout the city when we were founding it†¦everyone must practice one of the occupations in the city for which he is naturally best suited† (Cahn 147). This only happens when the city is not in a state of internal conflict with itself allowing the highest principle, good, to be seen; making it the most unified, therefore being just. Since the proper order of the city has now been established, it is time to turn inward to one’s soul to determine where justice and injustice might lie, and what the difference is between the two. Plato believes, â€Å"if an individual has these same three parts in his soul, we will expect him to be correctly called by the same names as the city if he has the same conditions in them† (Cahn 148). Now that Plato has found the four virtues within the larger environment of the city, he now wants to investigate their relationship to the smaller environment of the soul. The first part of the soul that calculates is considered rational by having the ability to make good judgment, known as its intellect. The second part of the soul that desires certain indulgences and pleasures; such as, food, drink, and sex, is considered irrational and is known as its appetitive part. The third part of the soul is known as the high-spirited, which allows a person to get angry by giving way to the use of their emotions. The appetite of one’s soul draws a person towards things, while the intellect of one’s soul pushes that person away, thus creating two different parts. The high-spirited is, â€Å"a third thing in the soul that is by nature the helper of the rational part† (Cahn 151). Originally, the spirited part was thought of as being appetitive; however, when there is a civil war within one’s soul, the anger of the high-spirit allies with the rational part of the soul. Now that the three different parts of the soul have been identified, it is clear that, â€Å"the same number and the same kinds of classes as are in the city are also in the soul of each individual†¦Therefore, it necessarily follows that the individual is wise in the same way and in the same part of himself as the city† (Cahn 151-152). Accordingly, the intellect of the soul should rule, as the guardian class does in the city because they both display the virtue of wisdom allowing them to exercise understanding on behalf of the whole soul and city. Similarly, the high-spirit of the soul should use anger, as the auxiliary class does in the city because they both demonstrate the virtue of courage allowing them to maintain proper order and harmony needed to establish justice. When the two parts of the soul and the city work together, the virtue of moderation is exhibited; because the soul’s appetitive part and city’s artisan class will be working together to maintain a state of unity. As seen with the city, justice will only emerge in the soul when each of the three parts are properly ordered and in a state of harmony with one another. In the city, the guardians and auxiliaries exist in order to control and direct the artisan class; while in the soul, the intellect and high-spirit exist in order to rule over the appetites of the individual. Justice in the city and soul are related to one another because, â€Å"in truth justice is, it seems, something of this sort†¦binds together those parts and any others there may be in between, and from having been many things he becomes entirely one, moderate and harmonious† (Cahn 153). When an individual is acting justly, then they are being true to the three parts of their soul, allowing the virtue of justice to surface. When each of the three classes in the city are properly performing their roles, then is the virtue of justice displayed. Plato describes justice as the perfect harmony between the parts both within the soul and within the city as the best possible combination to illustrate all four of the virtues.

The Poetry of Paz Essays -- Literary Analysis

Literature possesses a multitude of forms similar to poetry. It adheres to the human emotion as well as the human senses: sight, smell, taste, hearing and touch. Poems have the ability to express a story whether it be literal or metaphoric regardless of its length text wise. However, through the author’s use of imagery and diction, the reader is subject to envisioning and capturing the image purposefully being conveyed. In the eyes of renowned poet and essayist, including many other occupation titles, Octavio Paz states, â€Å"words refer to another word† (6), therefore stories are independent to their length. Based on Paz’s past history it is evident that he incorporates his experiences as the basis of the structure of his poems and stories. Paz had two fatherly figures beside him as her grew up and writing became almost natural to him. Paz’s father was a journalist as well as a supporter of the Mexican Revolution. Paz’s grandfather was a novelist and a publisher, so evidently writing was in his gene pool. Through their work it is evident that Paz possessed more than enough knowledge about what to incorporate in his own literary works because Paz learned how to write passionately about what he believed in. In the year, 1944, he had earned the opportunity and obtained the Guggenheim fellowship in which he began living in New York and San Francisco. As a result he broadened his knowledge of North American poetry initiating his reflections on Mexico and the underdevelopment from the vantage point of overdevelopment. Paz lived in the village, Mixcoac, in Mexico City which had been impoverished by both civil war and the revolution. Paz remains loyal to his heritage and from time to time includes it in his work s uch as his poem â€Å"Return†. ... ...lity to respect it. His writing speaks to the reader on a higher note, consistently sticking to one theme. Works Cited 1. Academy of American Poets. "Octavio Paz- Poets.org - Poetry, Poems, Bios & More." Poets.org. Academy of American Poets, 1997. Web. 26 Mar. 2012. . 2. "Octavio Paz - Biography". Nobelprize.org. 26 Mar 2012 http://www.nobelprize.org/nobel_prizes/literature/laureates/1990/paz-bio.html 3. Bloom, Harold. Octavio Paz. Philadelphia, PA: Chelsea House, 2002. 4. Paz, Octavio. Alternating Current. New York: Viking, 1973. 5. Paz, Octavio, and Eliot Weinberger. The Collected Poems of Octavio Paz, 1957-1987. New York: New Directions, 1991. 6. Paz, Octavio, Eliot Weinberger, and G. Aroul. Selected Poems. New York: New Directions, 1984. 7. Rahman, Shaifur. European Time. Kindle ed. Amazon.com, 2010.

A Narrow Fellow in the Grass – 1

â€Å"A Narrow Fellow in the Grass† By Emily Dickinson. â€Å"A Narrow Fellow in the Grass† Is believed to have been written in 1865. About a year later it was published under the title â€Å"The Snake† by a journal called Springfield Republican. This poem express nature's infamous creatures, the snake. The poem is built around what appears to be and what is. This poem is meant to be read aloud and appreciated for it's precision. Some would say â€Å"A Narrow Fellow in the Grass† is perhaps the most nearly perfect poem addressing nature. Also this poem itself has received a great deal of critical attention.In the opening lines, Dickinson cleverly states the subject of the poem, a snake. She makes the snake sound harmless. The term â€Å"narrow Fellow† is a nice form of colloquial language â€Å"narrow† meaning small, and â€Å"fellow† being a familiar term for boy or man. The choice of words she uses is also interesting like the word à ¢â‚¬Å"rides† sounds like â€Å"glides†. It gives the impression that the snake is being carried, or that it is floating about. The words could also say torment, harass, of tease which would fit the snake's sly tempter.Also the snake seems to take people by surprise. Lines five through eight describes the way a snake moves through tall grass. The grass is compared to hair and the snake is compared to a comb. The snake is quick, long, slender, and marked with spots. The snake slanders along in a ghost like manner. In the lines following nine through twelve the snake likes wet and mushy land. The corns dry environment is not suitable for the snakes wet environment therefore a snake will not be found in a corn field.The speaker mentions that he is barefoot in a childhood encounter, which the thought of a snake slithering across a humans bare skin makes many people cringe. The word â€Å"barefoot† makes the speaker seem even more vulnerable to the snake's potential th reat. In lines thirteen through sixteen the speaker continues to talk about his childhood encounter and he sees something that seems to be a whip-lash. He bends down to pick up the â€Å"whip† just to find that it is slithering away. Oddly, the definition of â€Å"wrinkle† is â€Å"a clever trick†.In these lines he was tricked by the snake for it was not what it appeared to be. The image of a snake â€Å"wrinkling† suggests the snake was frightened by the approach of the speaker. Also, in lines seventeen through twenty the speaker claims to have a connection to the outdoors and its animals. He feels close to these creatures and he describes this connection as a â€Å"transport† In lines twenty one through twenty four the speaker describes the feeling of an encounter with a snake as a moment of shock and fear.He mentions on how he had tighter breathing from the panic. Most people who has encountered with a snake has felt the fear and the panic. In the final line he describes the feeling with the metaphor â€Å"zero at the bone† referring to the bone chilling terror. The end suggest that the snake which is referred as harmless might possible be deceptive. The speaker, which suggest that he loves all animals, cannot love dangerous trickster the snake in the grass. The speaker reacts to the snake as if it were a living terror of the unknown, for it is both chilling and startling.Dickinson wrote several â€Å"riddle† type poems, where she uses metaphor to compare her subject to something, without letting you know. Each stanza has â€Å"clues† in the form of imagery, pictures such as the grass â€Å"as a comb†. â€Å"A Narrow Fellow in the Grass† is written in six quatrains, or stanzas of four lines each, rhyming only in the second and fourth lines. Most of the rhythms are iambic, meaning the poem has regularly recurring segments, in which the first syllable is unstressed and the second is stress ed. â€Å"A Narrow Fellow in the Grass† can be interpreted on several levels.It could be read as just a description of the snake. Also Dickinson's imagery can be read as sexually nuanced. Dickinson's poetic technique is very much an art form she worked hard to refine and hone. The readers today can gain so much from Dickinson poems and her technique. She leaves so much unsaid, and yet, says so much with so little. Dickinson uses the device of sound throughout this poem; hearing this poem is as important as seeing the words. Dickinson creates both a visual and an auditory image of the snake with her language.

The Beauty of the Fictional World in Nabokov’s Bend Sinister

Since the writer himself claims that Bend Sinister is neither â€Å"serious fiction† nor â€Å"literature of social comment,† I will refrain from making something out of nothing (for, though Nabokov does this through his fiction, I would not wish to offend him, even if he cannot socially comment on my offense, just as Karl Marx perhaps disliked the ruin of his own piece). Rather, I shall make the argument that literature to Nabokov is like beauty to life. It is not the story that matters, but instead â€Å"it is for the sake of the pages about David and his father that the book was written and should be read† (xiv).Hence, let us examine what makes Nabokov’s novel so beautiful: What begins as â€Å"An oblong puddle inset in the coarse asphalt† transforms into Padukgrad, a fictional and totalitarian state somewhere in Europe that hosts two men of differing philosophies yet similar power (1). Krug, the protagonist, immediately surfaces as a danger to t he Ekwilist society, which Paduk rules as dictator. Although there is a tendency to classify Padukgrad as a dystopia, one must note that Nabokov was highly critical of â€Å"Orwell’s cliches,† calling him a â€Å"mediocre English [writer]† (2).Nabokov argues that he is â€Å"neither a didacticist nor an allegorizer,† both of which could describe Orwell’s anti-totalitarian voice in 1984 (2). Rather, Vladamir Nabokov’s first American novel, Bend Sinister, presents his fictional dictatorship not as an entity on a path to Armageddon, but as a metaphorical chess game, wherein the main character can be interpreted as the White King and the antagonist as the Black King. Eventually, Krug learns that he is in fact playing a live game of chess, and that—ironically—he is the White King in an Armageddon-style chess match for his life. For Krug, a philosopher and professor, there is no draw.Nabokov conscientiously places Krug in Padukgrad, for it is with precision that chess players both set and move their pieces. Whereas a king piece is safest in its initial location, beside the queen and behind a row of pawns, Bend Sinister begins with Krug’s observing â€Å"a fancy footprint filled to the brim with quicksilver . . . from a hospital window† (1-2). Nabokov details a rather wonderful scene of a puddle in November. Beauty, I argue, and the hospital are places of sanctuary, a place where one can reflect on â€Å"the beating of [his] loving heart† (xiv). The beauty ends, however.It becomes known that â€Å"the operation has not been successful and [Krug’s] wife will die† (2). In the first chapter, to alight on the metaphor of chess, Krug essentially loses his queen and is subsequently forced to play the rest of the game without what is generally the most powerful piece. Also, it is interesting that he loses his queen in the first person. Throughout most of the novel, Krug is written in the third-person-omniscient voice, and only when the writer intends to remind the reader that Bend Sinister is not a contemporary novel, that it is truly an apocryphal work meant for beauty, does he switch his point of view.Perhaps, Nabokov is presenting the dramatic moment (of the chess game) through Krug’s (the king’s) eyes to convey the move’s gravity. However, Nabokov again shifts to the first person perspective on the second to last page, just after â€Å"another and better bullet hit† Krug (240). In this sense, Nabokov utilizes the third person to communicate his story and the first person to denote the loss of White’s two most important pieces—the King and queen, respectively. It is also this style that categorizes Bend Sinister as post-post-modernism literature, for Nabokov clarifies that, â€Å"among the chaos of written and rewritten pages . . a big moth was clinging with furry feet† to his [the metafictional writer’s ] window (240). Moreover, I shall use this style to make my own points: Orwell’s dystopic world is made real—Nabokov’s world is made fictionally.This is the greatest distinction between the two books. Bend Sinister remains very much a board of pieces that move according to the novelist. And his characters, in turn, are â€Å"absurd images† and â€Å"illusions† both to himself and â€Å"to Krug† (xiv). In essence, the writer is calling the shots—the balls and strikes, and they ‘ain’t nothing till he calls them. By this, Nabokov creates Padukgrad, and in it, Krug and Paduk. Interestingly, Padukgrad’s Ekwilist philosophy of the everyman wishes to create a homogenous, clone-like society wherein each individual is equal and outliers are either integrated or removed. This society, like many totalitarian states, seeks unity through similarity. Thus, Nabokov presents Krug as the counterpart to Paduk—White King versu s Black King, good versus evil. For example, Adam Krug is depicted as a â€Å"philosopher . . . ith untidy, dusty, or faintly grizzled locks . . . suggestive of the uncouth chess master or of the morose composer, but more intelligent† and Paduk as someone who â€Å"never got over superficial neatness† (46, 80). This is important not only because of Nabokov’s explicit metaphor, but also because the Ekwilist philosophy preaches â€Å"a remoulding of human individuals in conformity with a well-balanced pattern,† the opposite philosophy of Krug [and Nabokov]. The duality is thusly created by Nabokov through philosophy—another ironic attribute.One pleasure of the book, as the writer would agree, is the humor. For instance, Paduk institutes â€Å"the Party of the Average Man as based on Skotoma’s book,† which argues that â€Å"a certain computable amount of human consciousness [is] distributed throughout the population of the world† and that â€Å"the proudest intellect and the humblest stupidity depended entirely upon the degree of â€Å"world consciousness† (75-76). In this, I find that philosophy kills philosophy, king kills king, and the entire purpose of this book arises.That is, if the sake of the pages are for David and his father (Krug), then the genesis of the Ekwilist philosophy and of Padukgrad are highly significant. David is, after all, killed by both. Nabokov includes in Bend Sinister, after describing the origins of Ekwilism, that Skotoma â€Å"omitted to define both the practical method to be pursued and the kind of person or persons responsible for planning and directing the process† (76). I find this quite humorous for several reasons other than those listed afore. First, Paduk breaks Nabokov’s first rule.Paduk not only takes Skotoma’s book to be â€Å"serious literature,† but then he also misinterprets it. To note, this is why I refrain in my introductory p aragraph from making something out of nothing and why I mention Marx, whose philosophy like Skotoma’s is essentially ruined by a lesser, more common man. It is also a reason perhaps for Nabokov’s distaste of George Orwell. Second, it is ironic that the â€Å"kind of person† who instills this philosophy in Paduk is actually Krug, for Krug drives Paduk in their youth to this uniform extreme.On page 36, for example, Nabokov reveals that Paduk, â€Å"the Ruler, colloquially known as the toad, had been a schoolmate† of Krug’s. Then later, on page 50, Krug reveals to his scholarly peers at the University that he â€Å"was something of a bully† and â€Å"used to trip [Paduk] up and sit upon his face . . . every blessed day for about five school years. † This treatment of Paduk eventually leads him to favor the Ekwilist philosophy and form a totalitarian state. It also leads the reader to understand Krug’s and Paduk’s duality, t heir chess match, and the way in which the White King is losing.Moreover, on the topic of irony and humor (which is beautiful), Bend Sinister is a reflection of Nabokov. One might draw comparison to heraldry whereby the novel derives its name. A sinister is in fact a colored band running from the upper right side of a shield to the lower left side; its opposite is the bend sinister, which runs from left top to right bottom. In the novel, Paduk represents the bend sinister of the shield and Krug represents the sinister, in that the Ekwilist philosophy (the extreme of socialism if you will) is a sinister (evil) bend to the left.Also worthwhile to point out is the name of the shield’s surface—the field. A chess match is a battle of kings and pawns on a battlefield. I make my final and daring argument here, as I still wish not to make something out of nothing, but I wish more to make something rather than nothing: Adam Krug is the metaphorical bend sinister to Nabokov. For instance, Adam Krug is â€Å"a non-smoker,† whereas Nabokov admits that his â€Å"daily consumption of cigarettes had reached the four-package mark† (36, xi). Also, the voice of the novel switches between the writer’s conscious thoughts and Krug’s story.In this way, Krug is Nabokov and Nabokov is Krug, but they are not entirely the same. They are the duality of the writer. Just as the protagonist is the king of the book, so too is the novelist. But because Krug is the non-conscientious half, at least in reality, he is the bend sinister of what is good. Literature is often taken out of context or made to be something out of nothing, and Nabokov hated this fact. I have drawn references to Orwell throughout because he, to the abhorrence of Nabokov, wrote in protest to leftist totalitarian states.By doing this, Orwell is upholding the greatest mistake of making something out of nothing because all totalitarian states, like Padukgrad with Ekwilism, take liter ature or philosophy out of context, and thus, to make a story from nothing results in nothing. Nabokov, a man of true genius, does not present Krug as one. For, although Krug is the greatest thinker in his own world, the fictional world is not real. The fictional world is merely aesthetics for the ‘real world. ’ And the sake of his presentation is merely for â€Å"David and his father,† Nabokov’s beautiful creations.

How to Increase Your Happiness by Giving Gifts

How to Increase Your Happiness by Giving Gifts I saw a post on Facebook this week from a mom who is advocating that all families get inexpensive gifts for their children so that kids with less aren’t â€Å"heartbroken.† I’m no social economist, but I’m pretty sure if this mom got her way, it would not be good for the global economy. And, while I’m also not a huge fan of conspicuous consumption and I’d like to see everyone getting meaningful gifts for their children, something struck me as â€Å"off† about trying to protect poor children from the pain of seeing other children get big fancy gifts. Isn’t it more important that we all appreciate the value of the gifts we are given? And that we put care into the gifts we give? Studies have shown that giving gifts is a source of happiness even more than receiving them. As reported by Harvard-trained researcher Shawn Achor in his Success Magazine article, â€Å"How (And Why) To Give The Perfect Gift,† â€Å"people who are constantly giving to their families and friends are significantly happier than those who are not.† Regardless of the gift, says Achor, it’s the thoughtfulness that counts- not only for the receiver, but for the giver too. Increasing the anticipation and time put into gift choice and, when applicable, gift creation, gives more joy to the person giving! Even if the recipient doesn’t appreciate the gift as much as the giver desired, the giver has had weeks or months of joy leading up the moment of giving. That’s worth a lot. Choosing the Right Gift I’m in a leadership group where we throw birthday parties for every member of the group and purchase gifts for the birthday boy or girl. The process of choosing a gift is always enlightening. We want it to be something they’ll enjoy, that they wouldn’t get for themselves, and that they won’t throw in the corner and never use. We prefer not to default to Amazon gift cards since we want to show that thought was put into the gift- even if the person has been in our group for only a week! To jump start the process, we get a list from the recipient of things they would want, and we collaborate from there. Gifts have included energy healing sessions, movie popcorn machines, shirts and ties, cologne, and tickets to Disney World. Without fail, the gifts we give hit the mark and we all get to watch birthday person’s excitement when they discover what we’ve given them. When we know people well, it’s usually easy to choose a gift that will light them up, whether that’s something we make by hand, a computer-generated photo album, or an expensive electronic gadget (drone anyone?) I recently discovered the â€Å"subscription-box† option where you can give someone a monthly box of something they will love! In particular, BetterBox seems like a thoughtful choice: a service which delivers monthly boxes with themes like gratitude, creativity, better sleep, and paying it forward. What a great gift for someone who can use incentive for self-care or slowing down! If are close to someone, you’ll probably be able to find the perfect box subscription for them- and it will last all year! Creating Satisfaction There are all kinds of ways to make gift-giving satisfying and joy-inducing for everyone involved. Choosing a charity to give money too has become another popular, and fulfilling, option. One thing’s for sure: Throwing money at a last-minute gift won’t produce a lot of joy- while regardless of cost, a thoughtful gift will bring light to both the giver’s and the recipient’s lives. To the mom on Facebook, I say this: Instead of trying to limit the types of gifts other people give to their kids, how about starting a campaign for all of us to be thoughtful about our gifts, and to value thoughtfulness over price tag, no matter what our budget? Now that would be a cause I could support with gusto.

6 Ways Grief Counseling Can Help You

6 Ways Grief Counseling Can Help You SAT / ACT Prep Online Guides and Tips Are you considering grief counseling or grief therapy, but you don’t know what to expect? In this guide to grief counseling and other kinds of professional grief support, we’ll provide a brief overview of grief and discuss what grief counseling is and what it entails. We’ll also help you figure out if you could benefit from grief therapy and how to choose a grief counselor. Finally, we’ll provide some grief and loss counseling resources. What Is Grief? Grief is the process of coping with a loss of some kind. Many people think primarily of bereavement or mourning: grieving the death of a loved one. However, you can grieve any kind of loss. This includes the loss of a pet, the loss of a beloved job, a serious illness in you or someone close to you, or the end of a friendship or relationship. People may also feel grief during a time of major life change- moving out of a family home, ending a graduate program, moving to a new city- even if they are excited about the transition. There are lots of ways to conceptualize the grieving process. One of the most common ways, created by Elisabeth Kubler-Ross, is the five stages of grief model. This model posits that a grieving person goes through five emotional states throughout the grieving process: #1: Denial- the feeling that the loss can’t be real#2: Anger- rage at the loss#3: Bargaining- the impulse to try to â€Å"trade† away the loss (or the feelings of loss). May involve ruminating over what you could have done differently. With bereavement, often accompanies the feeling that â€Å"it should have been me instead†#4: Depression- feeling hopeless and sad about the loss#5: Acceptance- accepting that the loss has happened and that life will continue Another common grief model is the â€Å"Four Tasks of Mourning† created by William Worden. Per this model, grievers must accomplish four tasks: #1: Accepting that the loss has really happened#2: Working through the pain of the loss#3: Adjusting to the new environment#4: Maintaining a connection to the lost person/relationship/etc while moving forward with life There are also grief models that attempt to describe grievers. One notable one is the â€Å"grief styles† model by Terry L. Martin and Kenneth J. Doka. This posits that there are three styles of grieving: Intuitive grieving is very outwardly emotional and involves expressing inner emotions in a very visible way. We commonly expect people to grieve this way in our society. This grief style is often stereotyped as the â€Å"feminine† style of grief. Instrumental grieving is less outwardly emotional and more action-based. It often involves doing lots of projects or completing physical or cognitive tasks as a way to process the grief. People may think instrumental grievers are just not â€Å"dealing with† their grief, but they are just addressing it in a different way. This grief style is generally stereotyped as the â€Å"masculine† style of grief. Blended grieving involves a combination of the above styles. The truth is that most people are blended grievers to some extent or another. It’s very important to note that not everyone grieves in the same way or according to a particular set of â€Å"steps† or â€Å"tasks† laid out in a given order. People who are grieving who don’t feel any grief model describes their experience should not feel that anything is wrong with them. Grieving is an incredibly complicated process emotionally, intellectually, physically, and spiritually. Many experts (and grievers) describe grief as a â€Å"roller coaster.† You may be disoriented, exhausted, and confused by all of your (sometimes contradictory) reactions to the loss. You may consider pursuing grief and loss counseling to help you address your feelings of loss. While many grievers do not necessarily need professional help, many find it helpful. Grief is a normal part of life and is not a medical or mental health condition per se. However, it is typically a difficult experience, and a professional can offer valuable support and advice. We can all use some support when we are grieving. What Is Grief Counseling/Grief Therapy? Grief counseling (also called â€Å"grief therapy,† â€Å"bereavement counseling,† and â€Å"grief and loss counseling†) refers to seeing a professional in a one-on-one or small group setting to help you cope with your grief. The overall purpose of grief counseling is to provide support in a nonjudgmental environment as you move through the mourning process. In this section, we’ll discuss what grief counselors can do for you and what typically goes on in a grief counseling session. Note that many people use the terms â€Å"grief counseling† and â€Å"grief therapy† interchangeably, to refer to any session-based grief support. Others draw a slight distinction and use the term â€Å"grief counseling† to refer to session-based grief support offered by people who are not primarily mental health professionals (like pastors or nurses), while using the term â€Å"grief therapy† to refer to grief support services offered by mental health professionals like therapists and psychiatrists. Even with this distinction, in most cases, grief counseling and grief therapy will involve many of the same things. In this article, we’ll mostly use the terms interchangeably. What Can a Grief Counselor Do for You? There are six major things a grief counselor can do for you. Address your feelings: A grief counselor or grief therapist will help you identify, express, and productively manage all of the emotions you are feeling. For example, you may find yourself feeling profound anxiety or experiencing panic attacks; a grief counselor can aid in anxiety management. Identify coping mechanisms and support systems: a good grief counselor will help you identify your personal coping mechanisms and aid you in replacing unhealthy ones (like substance use) with healthy ones (like exercise). They will help you identify support systems and resources in your own life that you can access. Address your particular needs: Grief counselors can also help you deal with grief issues specific to your particular grief situation. For example, if you are a spiritual or religious person, you may find yourself questioning your beliefs or feeling angry with higher powers. A grief counselor can help with your spiritual struggles. Deal with the impacts of the loss: Grief counseling techniques help the griever come to terms not only with the loss itself, but with the impact of the loss. A major loss can change you as a person, so you may also find yourself also mourning your old self in addition to the loss. A loss may also cause a dramatic change in your financial situation or plans. A grief counselor can typically connect you with other resources you may need, like support groups, financial advisors, and so on. Set goals: Grief counselors can help you set manageable goals in your life and create schedules that help keep you moving forward and returning to regular tasks, but provide enough allowance for you to manage your grief. Help you manage setbacks: A grief counselor will help you manage any setbacks in the grieving process and reassure you that what you are going through is normal. It's okay to have setbacks. A counselor can help. Grief Counseling Techniques: What to Expect So what goes on in a grief counseling session? When you go to a grief counselor, you may not be sure what to expect. In initial sessions, you’ll most likely spend most of the time talking about the loss and how you are managing. Eventually, you’ll probably start doing â€Å"homework† and completing tasks between sessions. Grief counselors often have clients complete exercises in sessions, too. Common grief counseling techniques for both in-session and between-session work include journaling or other writing projects, completing creative projects, reading and discussing relevant books, meditation, yoga, relaxation and mindfulness techniques, and role-playing potentially uncomfortable situations. A grief counselor may also have you fill out grief therapy worksheets. Common grief therapy techniques specifically for bereavement include addressing the deceased person as though they were in the room (the â€Å"empty chair technique†), incorporating possessions or photos of the loved one into sessions, reflecting on the relationship with the deceased, and creating rituals to help commemorate the deceased. Grief counseling sessions for children will usually incorporate play therapy and creative activities to help the child express their feelings. If they are a trained mental health professional, your therapist may also introduce techniques from cognitive behavioral therapy, or CBT. Grief therapy after a particularly traumatic loss may include EMDR (eye movement desensitization therapy), an evidence-based therapy modality for processing trauma. Get ready to bust out that journal. Do You Need Grief Therapy? Not all grievers need grief counseling. However, if you feel you would benefit from grief counseling or grief therapy, whatever your circumstances, you should feel free to pursue it. While grief is a normal reaction to a loss, it can still help to have a trained supporter who is not also dealing with the loss to help guide you and support you through the process. Grief counseling may be especially helpful in the following situations: Hidden or misunderstood grief: if you have experienced a loss that is not acknowledged or is considered trivial by others, like the loss of a beloved pet, you may be unable to grieve as openly as you would like. In this case a grief therapist can help you process your grief in a supportive, nonjudgmental environment. Sudden loss: If your loss was very sudden and unexpected, you were not able to prepare yourself for the loss in any way. This means you are at a higher risk of developing complicated grief (see below), or grief that does not abate with time. Grief therapy can help prevent (or manage) complicated grief in this situation. Low social support: Even the most well-meaning collection of friends may not know what to do when you are facing a loss. And while friends and family often mobilize in the first weeks after a sad event, you may find that after the first month or two others have moved on from your loss, while you have not. If you aren’t getting the support you need from your social network, grief therapy can help fill the gap. Family grieving: A death in the immediate family can cause strain in immediate family relationships. This is natural; everyone is grieving the loss differently. Additionally, because everyone is grieving, they may not be able to provide support to the other grievers. In this case, meeting as a family with a bereavement counselor can help family members understand each other’s feelings and reactions and lift strain in the relationship(s). Anniversaries and events: You may experience renewed grief around the holidays, birthdays, and the anniversaries of the loss. If you are struggling during these times, you may wish to see a counselor or therapist for a few sessions. Persistent grief: In general, grief is not considered a mental illness or psychological condition, as it is a normal reaction to a difficult event. However, if severe grief persists for many months (more than about six) without any abatement, you may be experiencing complicated grief or prolonged grief. Significant changes in behavior that persist for more than six months, substance abuse, and a continued preoccupation with loss are signs that grief has become complicated. If you are experiencing complicated grief, you should see a trained mental health professional (like a psychiatrist or therapist) who specializes in providing complicated grief therapy. Complicated grief therapy involves specific grief therapy techniques to help you face the loss and move forward in the grieving process. Additionally, though medication is not typically indicated for non-complicated grief, medication is sometimes useful to help manage complicated grief, which may co-occur with depression or other ps ychological conditions. Grief can get complicated. How to Find the Grief Support That’s Right for You Once you decide that you would like some additional support in your grieving process, there are a variety of considerations for selecting the grief support that’s right for you. We’ll review the three main considerations here: convenience, cost, and fit. The next section (grief counseling resources) will offer you some additional resources for finding grief counselors. Convenience You may think that you’re willing to travel far and wide for the support you need, and when the grief is fresh, this might be true. But as time goes on and your grief becomes less acute, you’ll be frustrated if you choose a grief counselor that is very inconvenient for you to meet with. So try to find someone who is reasonably close to you, and who can meet at times that are realistic for your schedule. If you are in a very remote area where in-person meetings are difficult, you may be able to find a counselor who will meet with via video. There are also online grief support groups that you may find helpful. Cost Cost is usually a factor when selecting a grief counselor. If your insurance covers mental health services, it will typically cover grief counseling with an in-network provider. If it doesn’t, many providers offer a sliding scale. Maybe you're looking for free grief counseling. Sometimes you can find hospice grief counseling or hospital grief counseling services that offer a certain number of free sessions for patients and/or surviving family members. Grief counseling provided by clergy members is also usually free because it is considered part of their ministerial duties. Additionally, grief support groups are often free, or require only a small per-session cost. Fit There are two main aspects to finding a grief counselor who is a good fit for you. You’ll want to consider who is offering the counseling and the format of the counseling. Many types of professionals provide grief counseling, including members of the clergy, trained nurses, social workers, therapists, and psychiatrists. Additionally, trained volunteers sometimes lead grief support groups. You’ll want to consider who you will be most comfortable with and who can best meet your needs. Think about the following: Would you rather speak with someone you already know, or would you prefer someone you don’t know? Would you be most comfortable with someone with advanced training in offering therapy and mental health services? Then consider a therapist, social worker, or psychiatrist. Are you looking for a counselor who focuses on a particular kind of grief, like pet grief counseling? Or maybe someone who can address specific issues, like Christian grief counseling or grief counseling for children? Is it important to you that your grief counselor is specially certified in grief counseling? The Thanatology Association offers professional certification. Note that the American Institute of Healthcare Professionals claims to certify in grief counseling, but it’s actually a sham accreditation organization propping up degree mills- beware! Do you want your grief counselor to be trained in a particular therapeutic modality, like EMDR or complicated grief therapy? The other thing to consider when considering fit is the format of the counseling. Are you looking for counseling for just you? Family sessions? Or are you looking for a support group with other mourners? With all this in mind, you’ll also want to make sure that you have a good rapport with your grief counselor. You may want to speak on the phone before committing to a session to get an idea of whether you’ll feel comfortable with this person. A good fit is important. Look how comfortable these two are! Grief Counseling and Grief Support Resources There are lots of resources available out there for finding the right grief support for you. We’ll go over resources for finding a grief counselor and for finding support groups, as well as a few other miscellaneous grief support resources that might be useful for you. Resources for Finding a Grief Counselor or Grief Therapist These resources will help you locate and select the right grief counselor or grief therapist to meet your needs. Find a Grief Therapist- Psychology Today: The magazine â€Å"Psychology Today† hosts this database of grief therapists, searchable by zip code and metro area, for the United States and Canada. Find a Specialist- Thanatology Association: This database can help you find a variety of ADEC-certified specialists in different sub-areas of grief and death education and counseling, including counselors and therapists. Grief Counseling- TAPS: This page has information on being connected with grief support specifically for those who are grieving the loss of a military personnel member. Finding a Grief Counselor- What’s Your Grief: This article from What’s Your Grief describes a nine-step process for pursuing professional grief support. How to Find a Therapist- Terry Wise: This helpful document by Terry Wise provides guidance and suggestions for selecting a therapist. It’s not grief-specific, but most of the advice applies. Resources for Finding Grief Support Groups Here are two resources to help you connect with support groups: GriefShare: The GriefShare program combines video seminars, support groups, and personal work to help individuals with grief. You can find grief support groups online using their website that meet near you. Support Groups- Hospice Foundation of America: HFA has gathered several sites to help you find the appropriate grief support group for you. Other Grief Resources Finally, here are three other grief resources you may find useful: GriefLink: GriefLink is a comprehensive resource for grieving individuals. It provides information on grieving, links to professional help of all kinds, and a database of support groups. Resources- Hello Grief: This page from Hello Grief compiles resources available in every state for grieving individuals. Center for Complicated Grief: This page from Columbia University offers information on complicated grief (also known as persistent grief or prolonged grief). Dogs are also valuable resources when you are grieving! Review: What Is Grief Counseling? How Can It Help You? In this comprehensive guide to grief counseling, we provided a brief overview of grief. It’s very normal to want support after grief, and grief and bereavement counseling can provide additional support during a trying time. Grief counseling techniques are designed to help you process your feelings and move forward in your life. While anyone who wants grief counseling could benefit from it, grief counseling may be especially helpful for those who faced a sudden loss, don’t have much social support, or who are experiencing complicated or prolonged grief. When you are trying to find a grief counselor, there are three main things to consider: Convenience: Is the grief therapist located in a place that’s easily accessible? Does their availability line up with your schedule? Cost: Does your insurance cover the counseling? If not, do you need free grief counseling? Fit: Is the grief counseling offered in a format that’s right for you? Do you get along with the grief therapist? Finally, we presented some resources for finding grief counselors and grief support groups along with some other grief support resources. You can get through it! What's Next? The stress of grief can impact your health in all kinds of ways. You might start feeling chest pain in your left breast due to anxiety. Stress can also depress your immune system, which can cause a latent shingles infection to come to the surface. If you do have shingles, here are some common shingles treatments you might consider. Self-care is critical when you are going through a hard time. Consider a nourishing coconut oil treatment for your hair to help you relax.

Ozone issue Research Paper Example | Topics and Well Written Essays - 1250 words

Ozone issue - Research Paper Example The depletion of the ozone layer is changing the pattern of life and survival on earth. There have been changes in the atmospheric condition due to the loss of ozone on a large scale and hence causing catastrophic disasters as well. ‘A second catastrophic view of the effect of ozone loss depended on the resultant increase in the UV radiation reaching the earth’s surface.’ (Parson, 2003, p.24) The existence of ozone is essential for shielding the earth’s surface from high energy UV rays for the living beings to survive on earth as well as under the ocean. In the 1960’s Berkner and Marshall based their observations too on this fact that during some ancient times the earth’s shift to an oxygen atmosphere forming an ozone layer thick enough to screen surface UV was necessary to let life on earth including that under ocean survive (Parson, 2003, p.24) It is evident that the existence of ozone would to a large extent determine life as well as affect the ecosystem in various ways sometimes even leading to serious diseases like skin cancer. If one follows the proverb, â€Å"Prevention is better than cure†, then he can realize the true significance of the existence of ozone layer and how it is good or bad for life on earth. In the earlier paragraph, a very serious threat which might be caused due to lack of sufficient ozone has been unmasked. In other words, as ozone prevents the harmful UV rays from bringing unwanted effects on life on the earth, it can be understood as to what might lead to a disease like skin cancer –â€Å"Ozone depletion means more UV from the sun gets to the ground, leading to more cases of skin cancer, cataracts, and other health problems† (Tabin, 2008, p.143). Besides, ozone protects the earth’s surface by absorbing the harmful UV rays emitting from the sun thereby facilitating life on the planet. If looked from a very far distant location, the earth actually looks like a beauti ful blue sphere, which accounts due to the greenery surrounding the earth, and the vegetation as well as forests which again are seats of the vibrant flowers and eventually indebted to the existence of ozone layer. (Tabin, 2008, p.39) Investigating into the factors causing reduction in ozone, it would be paradoxical to state that human beings play the role of disturbing the ozone layer by unknowingly emitting chemicals that bring unwanted changes in the layer thereby disrupting the delicate balance established by nature. (Tabin, 2008, p.40) During winter, the polar night zone or the zone in South Pole where a stream of air swirls, receives little or no light from the sun, which allows nitric acid and water to form ice crystal’s clouds called polar stratospheric clouds. Apart from this, â€Å"chlorine and bromine containing chemicals can lead to a significant depletion of stratospheric ozone† (Sinha, 1998, p.8). Chlorine gas is produced in the ozone layer as a result of the chemical reaction of the surfaces of the ice crystals, which begins to accumulate in winter releasing chlorine atoms during spring with the sunshine, finally reducing the amount of ozone, which again creates the ozone hole. J. Hampson also performed several experiments, and found out hydrogen compounds produced from water vapor are capable of destroying ozone on a rapid basis. However, the deadliest ‘enemy’ to attack ozone layer seems to be the invention of chlorofluorocarbons

The relationship between science and nature in Frankenstein Essay

The relationship between science and nature in Frankenstein - Essay Example Written in the middle of the 1960s, Pynchon was reflecting a culture gone crazy in which meaning was lost in the chaotic shuffle of Civil Rights, women’s rights, the Vietnam War and numerous other world-shaking events. While names such as Oedipa Maas, Mucho Maas and Pierce Inverarity do convey meaning of a sort regarding the personalities of these characters, they do not help in identifying a ‘constellation’ within the novel. Oedipa Maas is the protagonist of the story who is shaken out of her humdrum relatively normal California suburbia lifestyle with the news that her ex-boyfriend, Pierce Inverarity, has named her the executor of his will. There is an undeniable connection between her name and the name of a legendary king of Thebes from a play by Socrates. In Socrates’ play, the main character, Oedipus, learns that there is a great mystery that no one has yet been able to solve and sets out to answer the question of who killed the old king only to learn to his own ruin that it was Oedipus himself. In much the same way, Oedipa learns of a mystery that no one else has yet been able to solve – the mystery of the Trystero. In attempting to solve the mystery, which may actually be no mystery at all, Oedipa loses connection with her own life thus finding nothing but her own ruin at the end of the hunt. Her almost hallucinatory night spent wandering the streets of the city seems to suggest the type of blind wandering that Oedipus embarked upon at the end of his story. â€Å"She stood between the public booth and the rented car, in the night, her isolation complete, and tried to face toward the sea. But she’d lost her bearings. She turned, pivoting on one stacked heel, could find no mountains either† (177). Having lost touch with the people in her life, she could no longer even find herself within the landscape. Her last name, Maas, has several possible connotations including its synonym, mass which is traditionally difficult to get